The second installment of our discussion of Contemporary Moral Problems, beginning with “What makes right acts right?” and continuing into Rawls’ “Theory of Justice.” Enjoy!
Greetings and Happy New Year, Philosophers!
I wanted to share a few links and the Conan joke above as a follow-up to our conversation today about the value, purpose and nature of art and beauty.
I saw this article recently in Slate Magazine, “Why the Art World is So Loathsome,” and I think it might provide a jumping off point for those of you wishing to take your pursuits during this week’s study of Aesthetics toward the more modern. I thought this laundry list of complaints about modern art might offer an opportunity to recalibrate and state what we might deem as art’s redeeming purpose, or necessity.
Freud said the goals of the artist are fame, money, and beautiful lovers. Based on my artist acquaintances, I would say this holds true today. What have changed, however, are the goals of the art itself. Do any exist?
How did the art world become such a vapid hell-hole of investment-crazed pretentiousness? How did it become, as Camille Paglia has recently described it, a place where “too many artists have lost touch with the general audience and have retreated to an airless echo chamber”?
The Slate piece links to another article that posits a solution to the dire situation that will no doubt entice at least one of our face to face participants:
For the arts to revive in the U.S., young artists must be rescued from their sanitized middle-class backgrounds. We need a revalorization of the trades that would allow students to enter those fields without social prejudice (which often emanates from parents eager for the false cachet of an Ivy League sticker on the car). Among my students at art schools, for example, have been virtuoso woodworkers who were already earning income as craft furniture-makers. Artists should learn to see themselves as entrepreneurs.